Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Hipolito Boaventura Caron
Arredores de Paris

ID: 87937

Hipolito Boaventura Caron Arredores de Paris
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Hipolito Boaventura Caron Arredores de Paris


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Hipolito Boaventura Caron

painted Arredores de Paris in 1887  Related Paintings of Hipolito Boaventura Caron :. | Mary Louisa Adams | Les Alyscamps | Stephanus Geraerdts | Seascape, boats, ships and warships.95 | Leopard 027 |
Related Artists:
Benjamin Blake
United Kingdom (1757- 1830 ) - Painter painted Still life of game in a larder in 1830
Joseph Crawhall
1861-1913 English painter, active in Scotland. He was brought up in Newcastle upon Tyne and was encouraged by his father and by Charles Keene, the cartoonist for Punch, studying at King's College School in London under P. H. Delamotte. There he met E. A. Walton, with whom, joined by James Guthrie, he painted at Roseneath, near Glasgow, in 1879. Crawhall also collaborated with Walton and Guthrie on illustration. His association with the Glasgow Boys was consolidated during the early 1880s on further painting trips in the Trossachs, Berwicks, and Crowland, Lincs. A keen huntsman and rider, Crawhall specialized in bird, animal and humorous subjects, and his work, with that of Arthur Melville, exemplifies the achievement of the Glasgow Boys in watercolour. After studying in Paris in 1882 under Aim? Morot (1850-1913), Crawhall exhibited for the first and only time at the Royal Academy, probably showing A Lincolnshire Meadow (1883; Glasgow, A.G. & Mus.). He then virtually abandoned oil painting and the plein-air technique, working instead from memory and using line and watercolour.
Nittis, Giuseppe de
Italian, 1846-84 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism, he achieved great success in his lifetime,






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